Kim Abeles
Leaf Leap (All the World's Leaves), 2000
450 fabric leaves created 5X their normal size, ea. embroidered with its name and global origin, sound and video projection of trees in wind, lavender, 240 x 480 inches
Contemporary Art Center, Cincinnati
Kim Abeles
OTHER (In Memory of Ethel and Julius Rosenberg), 1987
mixed media, 36 1/2 x 25 x 14 inches
Robin Adsit
Martha Stewart Color Combinations J01 - J12, 2002
oil on wood
triptych, detail of left panels
Robin Adsit
Martha Stewart Color Combinations J01- J12, 2002
oil on wood, 50 x 30 inches
triptych, detail of right panel
Seyed Alavi
Departure Room, 1989
shoes, shelves, photo transparency, water, video monitor, camera, chair, motion detector, lights, 240 x 300 x 120 in.
Sophia Allison
Untitled (Orange Wall Fire), 2015
acrylic and dirt on watercolor paper on wood, 9 3/4 x 6 1/2 x 7 in.
Sophia Allison
Untitled (Small Green), 2015
acrylic and dirt on watercolor paper on wood, 5 x 4 1/2 x 3 7/5 in.
Sophia Allison
Untitled (Small Landscapes), 2015
acrylic and dirt on watercolor paper on wood, pink: 7.25 x 4.5 x 8 inches
yellow: 4.5 x 4 x 3.75 inches
green: 5 x 4.5 x 3.75 inches
blue: 5 x 6 x 3.5 inches
Sophia Allison
Untitled (Yellow), 2014-2015
acrylic and dirt on watercolor paper on wood, 18 x 9 x 12 in.
Mauricio Ancalmo
Dualing Pianos; Agapé Agape in D Minor, 2011
wood, metal, electrical cords, player pianos, word processor, player piano rolls, sound, 20 x 25 x 10 feet
Mauricio Ancalmo
Dualing Pianos; Agapé Agape in D Minor (detail), 2011
wood, metal, electrical cords, player pianos, word processor, player piano rolls, sound, 20 x 25 x 10 feet
Mauricio Ancalmo
Monolithoscope (detail), 2011
wood, metal, plastic, electrical cords, 16mm projector, 16mm black leader film, turntable, LP record, rope, stereo turntable, speakers, sound, 4 x 4 x 8 feet
Mauricio Ancalmo
A Lover's Discourse (detail), 2010
metal, electrical cords, 16mm projector, 16mm film, turntable, LP record, rope, stereo amplifier, speakers, sound, 20 x 10 x 10 feet
Perry Araeipour
LA 93, 1998
acrylic on raw canvas, 2 panels, 25 x 50 inches, joined: 50 x 50 inches
Perry Araeipour
LA 96, 1998
acrylic on raw canvas, 2 panels, 25 x 50 inches, joined: 50 x 50 inches
Perry Araeipour
#33, 1990
acrylic on raw canvas on panel, 72" x 72" three panels: 6" x 72", 21" x 72", 21" x 72"
Perry Araeipour
#34, 1990
acrylic on raw canvas on panel, 72" x 72" three panels: 10 1/2" x 72", 10 1/2" x 72", 24" x 72"
Patricia Atlas
Untitled, 1997
cement, metal, acrylic paint, photograph, acrylic sheet, 13 x 10 x 3 inches
Patricia Atlas
Male Product, 1996
wood, printed metal, photographs, plexi-glass, cigarettes, 53 x 34 x 8 inches
Deborah Barrett
White Woman with Hair on Ride Side, 2005
gouache and collage of earlier drawings, 9 x 6 inches
Deborah Barrett
Man in Red Hat Marching, 2004
graphite and collage on paper, 14 1/2 x 9 1/2 inches
Robert Baxter
Finishing Table II, 1996-1997
tempera and oil on panel, 29 1/2 x 23 3/4 inches
Whitney Bedford
Shipwreck (Darker with the day), 2014
ink and oil on canvas on panel, 72 x 120 x 1 3/4 in.
Christopher Bell
Harvester, 2007
steel, wood, motor, speakers, 13' diameter
sound sculpture
Christopher Bell
Untitled (Propeller), 2006
motor, wood, steel, lights, 19' high
kinetic sculpture
Christopher Bell
Movement Studios, 2005
display case, lights, silverware, 264 x 348 x 168 inches
Cindy Bernard
Panels 110, 118, 119, 120, 123 (Gladys Osmond, Beaches, Newfoundland, 2013), 2017
watercolor and graphite on paper, 28 x 22 in.
Cindy Bernard
Panels 14, 20, 21, 28, 38 (Gladys Osmond, Beaches, Newfoundland, 2013), 2017
watercolor and graphite on paper, 28 x 22 in.
Cindy Bernard
Panels 62, 63, 69 (Gladys Osmond, Beaches, Newfoundland, 2013), 2017
watercolor and graphite on paper, 28 x 22 in.
Cindy Bernard
Panels 87, 97, 98 (Gladys Osmond, Beaches, Newfoundland, 2013), 2017
watercolor and graphite on paper, 28 x 22 in.
Lynn Bostick
Woman with a Dog Talking to a Swimmer, 1984
mixed media drawing, collage, 17 x 14 inches
Gaza Bowen
Bibliotheca Memoria Book 15, 1999
found objects, wood, metal, fabrics, hair, leather, glass, 11 x 8 x 5 inches
Gaza Bowen
Bibliotheca Memoria Installation: 3 Study Desks, Stacks #2, 1999
scavenged metal, found objects, 96 x 180 x 60 inches
Valerie Britton
Under the Ruptured Sky, 2010
ink, graphite and collage on paper, 54 x 72 inches
Valerie Britton
Under the Ruptured Sky, 2010
ink, graphite and collage on paper, 54 x 72 inches
Valerie Britton
String Theory, 2009
ink, collage, graphite and gouache on paper, 72 x 96 inches
Valerie Britton
Continental Drift, 2006
ink, collage, graphite, tape and cut-out paper, 120 x 120 inches
Kellyann Burns
5/21/2015 19:22, 2016
oil on Alu-DiBond with wood augmentation, 18 x 30 in.
Sarah Cain
Untitled (Houston), 2010
silver leaf, gold leaf, acrylic and gouache paint on canvas, stretcher bars and wall, 103 x 90 in.
Sarah Cain
Losing the Calm, 2007
latex, acrylic, gouache, ink on paper, 99 x 80 in. (251.5 x 203.2 cm)
Jennifer Celio
Just a Tree, 2011
artificial tree, wood, gesso, pencil, spray paint, 60" tall x 24" diameter
Carl Cheng
Everglades Trespass, 2000
digital celing panels, terrazzo floor, 40 foot x 60 foot lobby
Milano Chow
Exterior (Figure 2), 2016
graphite, ink, Flashe, and photo transfer on paper, 24 1/2 x 19 1/2 in.
Milano Chow
Exterior (Figure 3), 2016
graphite, ink, Flashe, and photo transfer on paper, 24 1/2 x 19 1/2 in.
Milano Chow
Mirror (1-800), 2016
graphite, ink, acrylic, and photo transfer on paper, 20 x 15 in.
Milano Chow
Mirrors (Daily, News, S, News), 2016
graphite, ink, Flashe, and photo transfer on paper, 24 x 32 in.
Linda Connor
Rock Face, Ladakh, India, 2013
archival pigment print, 22 x 28 (variable sizes)
Linda Connor
Avalokitesvara, 14C Mediation Cave, Ladakh, India, 2011
archival pigment print, 22 x 28 (variable sizes)
Linda Connor
Covered Thangka, Ladakh, India, 2011
archival pigment print, 22 x 28 (variable sizes)
Linda Connor
Mountainside, Ladakh, India, 2011
archival pigment print, 22 x 28 (variable sizes)
Michael Coughlan
Self Portrait as a Small Volcano, 1994
paper mache, buble machine, 66 x 75 x 80 inches
Njideka Akunyili Crosby
The Beautyful Ones Series 1b and 2, 2012-13
acrylic, colored pencils, pastels and transfers on paper, 5.1 x 3.5 feet
Njideka Akunyili Crosby
Nwantinti, 2012
acrylic, charcoal, colored pencil, collage and transfers on paper, 5.57 x 8 feet
Njideka Akunyili Crosby
Thread, 2012
acrylic, charcoal, pastel, colored pencils and transfers on paper, 4.33 x 4.33 feet
Njideka Akunyili Crosby
Nyado: The Thing Around Her Neck, 2011
charcoal, acrylic, colored pencil, lace, collage and transfers on paper, 84 x 84 in.
Sydney Croskery
Arrows Thank You Valentine (this was subliminally "expensive"), 2016
graphite and charcoal on paper, 20 x 30 in.
Sydney Croskery
Cantaloupe Skies (life before mysteries, that's who looks out to see), 2016
graphite and charcoal on paper, 20 x 30 in.
Sydney Croskery
Snap Tags Quar Codes (you make, just because of it), 2016
graphite and charcoal on paper, 20 x 30 in.
Laddie John Dill
Light Catcher/Lilly, 2018
welded and polished 6061 aircraft aluminum, 96 x 96 x 6 inches (concave)
Laddie John Dill
Volcanic Map, 2014
tempered glass, ground minerals & oxides, black iron oxide, silicone, carved cement, four sections: 12 x 16 feet
Laddie John Dill
Metropolis, 2012
welded and polished aluminum, burnished with oil, 108 x 20 feet
Laddie John Dill
Volcanic Light Plains, 1969 (executed in studio 2018 - picture)
volcanic rocks, plate glass, argon with mercury tube, 40 x 240 x 72 inches (variable architectural specific)
Susan Dopp
Stacks No. 2, 2005
gouache, graphite on watercolor paper, 10 3/4 x 9 1/2 inches
Susan Dopp
Stacks No. 3, 2005
gouache, graphite on watercolor paper, 10 3/4 x 9 1/2 inches
Carol Es
Head in the Soul, 2008
oil, hand-cut paper patterns, pencil, thread, embroidery on canvas, 30 x 30 inches
Christopher Evans
Times Square, 2004
oil on plexiglas, 16 inches diameter sphere
Detail: Pedestrians, Looking West
Christopher Evans
New York, In the Light of Memory, 2002
oil on plexiglas, 24 inches diameter sphere
Detail: Brooklyn Bridge
Patricia Fernández
Paseo de los Melancólicos, 2014
cement tiles, wooden shelf and cabinet, oil paintings and various objects, 120 x 336 x 96 in.
Patricia Fernández
A Record of Succession, 2012
hand carved walnut wood with fabric and buttons, 120 x 84 x 42 in.
Patricia Fernández
its yours now, its all that there is, 2010
oil paintings, hand-carved wood, c prints, and drawings, 64 x 91 x 26 in.
Christie Frields
A Flowering Weed, Upon Hearing its Name I looked anew at it, 2000
lacquer on birch plywood, 68 x 144 x 1 inches
Christie Frields
Tenacious Weed Tyrannical Root from Pole to Pole, 2000
bamboo, pvc pipe, paint, 9' diameter x 22 1/2"
Jeff Gauntt
Sentry, 2006
latex paint on wall with acrylic on MDF attachments, 204 x 180 inches
Installation at The School of Visual Arts Museum, New York, NY
Linda Geary
Intervention/Underwater (installation view), 2020
acrylic and oil on canvas, L: 60 x 48 inches and R: 80 x 65 inches
Sheila Ghidini
Dwelling, 1993
constructed of loaves of bread, 30' x 10' x 12'
Installation
Gerald Giamportone
Untitled No. 22, 2003 - 2004
gelatin - silver print, mounted on acrylic, 60 x 45 in.
Gerald Giamportone
Untitled No. 24, 2003 - 2004
gelatin - silver print, mounted on acrylic, 60 x 45 in.
Gerald Giamportone
Untitled (Stacked Column #8), 1990
acrylic, oil, wax, wood, 72 x 12 x 23 inches
side view
Joseph Girandola
Keystone, 2001
aluminum, marble, steel, milk crates, 144 x 84 x 54 inches
Liz Glynn
Vessel (Ravaged, Looted & Burned), 2013
Hardwood, (Ash and Western Red Cedar) with bronze and steel hardware, rope, 86 x 246 x 73 in.
Liz Glynn
Anonymous Needs and Desires (Gaza/Giza) (R), (Passage Gaza/Giza) (L), 2012
Reclaimed forklift pallet stock, wood with casein paint, cast lead, reinforced Kevlar, ballistic nylon, resin, Cabinet 72 x 48 x 18 inches
Tunnel 118 x 38 x 171 inches
Liz Glynn
On the Museum's Ruin (Morris Hunt - Corbusier - Piano) I & II, 2011
Rubble from the demolition of the Fogg Museum, lightweight concrete aggregate and stainless steel LC2 chair frame, 30 x 26 1/2 x 28 in.
Joan Gold
Clusters Quartet, 2015
Mixed media on heavy watercolor paper, 32 x 104 inches total installed/width variable (32 x 23 inches each panel)
Joan Gold
ColorSpots Quintet, 2015
Mixed media on heavy watercolor paper, 32 x 130 inches total installed/width variable (32 x 23 inches each panel)
Alexandra Grant
Fragments 1-13, 2006
mixed media on paper, Fragments 1-11: 22 x 15 inches eachFragments 12-13: 11 x 15 inches each
Mark Grieve
Suspended Wheel Composition, 2008
discarded bicycle wheels, 432 x 192 x 72 in.
Ron Griffin
Untitled (detail), 2000
enamel and polyurethane on panel, 60 x 60 x 2 inches
Courtesy Hosfelt Gallery
Katie Grinnan
Wizard, 2004
friendly plastic, spray paint, laminated inkjet print, beanbag, 211 x 160 x 31 cm
Karl Haendel
Theme Time - President's Day, 2012
pencil on cut paper with shaped frame, 69 x 104 in.
Karl Haendel
Public Scribble (installed at 411 Broadway, NYC), 2009
enamel on wall, 80 x 120 in.
Kunlin He
Marshland Restoration A, 2019
acrylic and ink drawing on three difference layers (bottom: muslin, middle: mylar, top: acrylic sheet, 30 x 40 in.
Kunlin He
Marshland Restoration B, 2019
acrylic and ink drawing on three difference layers (bottom: muslin, middle: mylar, top: acrylic sheet, 30 x 40 in.
Kunlin He
Hometown Flood A (detail), 2017
acrylic and ink drawing on three difference layers (bottom: muslin, middle: mylar, top: acrylic sheet, 30 x 40 in.
Kunlin He
Hometown Flood A, 2016
acrylic and ink drawing on three difference layers (bottom: muslin, middle: mylar, top: acrylic sheet, 30 x 40 in.
David Hendren
Dart Board in Black and White, 2009
wood, glass, dibond, enamel, 11 1/2 x 11 3/4 x 12 in.
Lynn Hershman Leeson
Home Front, 2010
doll house, 2 video mini monitors, face recognition software, 18 x 36 x 18 in.
Lynn Hershman Leeson
Look at Me, 2010
doll house, 2 video mini monitors, face recognition software, 18 x 36 x 18 in.
Scot Heywood
Untitled (Gray, Green), 2008
oil on canvas on wood panel, 19 1/2 x 18 3/4 in.
Robin Hill
Dissipation, 2004
cotton-batting and paper, 95 x 24 x 70 1/2 in.
Installation at Lennon-Weinberg, Inc.
Robin Hill
100 Ft. of the Sweet Everyday, 2001
cyanotype on paper, helium balloons, polyethylene bags, 1200 x 60 in.
Installation at Lennon-Weinberg, Inc.
Nicholas Hondrogen
Fractal Ellipse No. 25 (orange), 2004
oil and wax on styrene mounted on Baltic birch panel, 48 1/2 x 78 inches
Nicholas Hondrogen
Fractal Ellipse No. 4, 2002
oil, vegetable dye and wax on linen, 59 x 94 inches
Nicholas Hondrogen
Natural Selection, 2000
encaustic, oil and dye on canvas, 10 1/4 x 16 1/2 inches
Mildred Howard
The House That Cannot Be Any Color Than It?s Own, 2011
clear mirrored glass laminated hand-blown aubergine art glass, 10.5 x 11 x 9 feet
Mildred Howard
Meret, 2007
Assemblage: hand sewn fake fur, glass salt & pepper shakers, 7 x 22 x 24 in.
Robert Hudson
Cone Mask, 2012
steel, stainless steel, shards of enameled cast iron, 26 x 23 x 17 in.
Robert Hudson
Rivet, 2012
steel, stainless steel, shards of cast iron and enamel, 37 x 29 x 26 in.
Patrick Jackson
Tchotchke Stacks, 2010
tchotchkes, glass mirror and wood, 24 x 24 inches in width and depth adn between 5 and 6 feet tall
Patrick Jackson
City Unborn (Aqua Ice Opalescent), 2008
glass, cement, fiberboard, car paint, glass and sewer grate, 48 x 38 x 21 in.
Richard Jackson
Museum of Art- The Museum as Site: 16 Projects, 1981
acrylic on canvas, 192 x 192 x 192 inches
Richard Jackson
Big Ideas (1000 Pictures), 1980
acrylic on canvas, 192 x 288 x 192 inches
installation at Rosamund Felsom Gallery, Los Angeles
Colter Jacobsen
The beekeeper, the astronaut, the Pomo dancer, the mother and child, the reacher for the light, Tom, Arabic architecture, the UFO, mushroom family, eyebrows, face, skull, mask, 2016
graphite on found paper, 17 8/10 x 14 8/10 in.
Colter Jacobsen
Boys Book of Magnetism (detail - 1 of 9 works), 2011
graphite on paper, 9 x 12 in.
Elaine Jason
Alphabet Soup, 2010
construction trash, acrylic paint on board, 30 x 40 x 9 in.
Elaine Jason
Red Hot Five, 2010
neon, found objects, wood, masonite, acrylic colors, 37 x 28 x 11 in.
Kiel Johnson
The Pleasures Our-Camera Head, 2006
cardboard, pine, conduit, dimensions variable
Kiel Johnson
The Pleasures Ours-Submarine, 2006
cardboard, pine, conduit, dimensions variable
Kathryn Kenworth
Untitled, 2005
couch, wood, wire, dimensions variable
site based installation
Kathryn Kenworth
Untitled, 2005
couch, wood, wire, dimensions variable
site based installation
Kathryn Kenworth
This Side Up, 2004
cardboard, 24 x 36 x 24 inches
installation - detail, box with carved topography
Kathryn Kenworth
This Side Up, 2004
cardboard, 72 x 96 x 120 inches
installation - inside view, carved mountain behind wall
Kasper Kovitz
Parime (de Soto), 2010
oxblood on exotic fruit juice mix on paper, 30 1/8 x 22 11/16 in.
Kasper Kovitz
Sunset: Delayed, 2007
fly trap glued on drywall and seatbelt fabric, 221 x 156 x 840 inches
Kasper Kovitz
A Thousand Generations(State Park, White Cloud, MI), 2006
blueberry jam on paper, 44 x 30 inches
Evri Kwong
Fly the Friendly Skies, 2002
acrylic and sharpie permanent marker on window shade, 89 x 67 1/2 in.
Willie Little
Black Jack (Installation), 2002
oil, wax, antique pram, cards, 48 x 48 inches
Sharon Lockhart
Ola, "AS THE HEART SPREADS JOY..." Little Review no.174 (8870), June 23, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017
framed chromogenic print, 63 1/2 x 79 in.
Sharon Lockhart
Ola, "TODAY IN POLITICS" Our Review no.167 (8863), June 16, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017
framed chromogenic print, 63 1/2 x 79 in.
Sharon Lockhart
Cattle Ranch, Tulare County, California, 2011
framed chromogenic print, 12 1/8 x 15 1/4 in.
Sharon Lockhart
Visalia Livestock Market, Visalia, California, 2011
framed chromogenic print, 49 1/2 x 73 1/2 in.
Karen Lofgren
Approaching the Limbless Gods: Ecstasy of the Uncontained (#1 on R); Positions For Believers (#3 on L); The Offering (#2 Center), 2016
aquaresin on wood, titanium and carbon pigments, 20.5 x 32 x 44 inches;
62 x 24 x 24 inches;
40.5 x 18 x 22 inches
Karen Lofgren
NO TRUE NORTH, 2016
wool felt, resin, copper leaf, 12 part installation, dimensions variable.
Each element 5.5 x 5.5 x 22 inches
Karen Lofgren
On Pain of Extraction, 2016
copper plated bronze, copper piping, nylon rope, 37 1/2 x 14 1/4 x 3 in.
Karen Lofgren
Other Relevant Experience, installation view, 2016
mixed mediums, Dimensions variable
Brendan Lott
Two x Two x Six x Two, 2015
Acrylic on eight individual wood panels, 68 x 32 in.
Brendan Lott
An Exaltation in Pure Relations, 2011
tape, Mylar, painted wood panel, 105 x 99 x 3 in.
Bernie Lubell
The 2nd Story: A Twice Faled Tale, 1989
pine, canvas, latex, music, wire, etc., 11 x 51 x 27 feet
Bernie Lubell
The 2nd Story: A Twice Faled Tale, 1989
pine, canvas, latex, music, wire, etc., 11 x 51 x 27 feet
Li Ma
Ear Temple in Fan Land, 2015
bicycle wheel, broom, fabric, mirror, feather, wind chain, bell, fan, metal, car windshield, umbrella, straw, pin, rope, nail, fog machine, bike mirror, etc., Dimensions variable
Li Ma
633 Hours in Intergalactic!, 2014
foam cord, mylar, fabric, wire, light features and plexiglas, 17 x 15 x 15 feet
Li Ma
Wishing Tree, 2013
Fabric scraps, hula hoops, lamp shade and wire, Dimensions variable
Saritha Margon
Dark Random Symmetries No. 3, 2007
ink and sawdust on paper, 11 x 11 inches
Yuki Maruyama
Binocular Rivals: Modular #2, 2023
acrylic paint on wood, anaglyph 3D glasses optional for viewing, 8 x 8 x 8 in.
Yuki Maruyama
Binocular Rivals: Seeing the Dark (detail), 2021
acrylic paint on panel, anaglyph 3D glasses optional for viewing, 24 x 24 in.
Yuki Maruyama
Binocular Rivals: Vacillating Eye, 2021
acrylic paint on drywall, anaglyph 3D glasses optional for viewing, 24 x 24 in.
Yuki Maruyama
Binocular Rivals: FB AIR, 2019
acrylic paint on drywall, anaglyph 3D glasses optional for viewing, 165 x 130 x 127 in.
Rita McBride
PARTICULATES, 2017
high intensity lasers, water and carbon fiber, DIA Art Foundation, New York, dimensions variable
Rita McBride
PARTICULATES, 2017
high intensity lasers, water and carbon fiber, DIA Art Foundation, New York, dimensions variable
Rita McBride
ARENA, 1997-2020
Twaron and wood, circa 13 x 13 feet modular, overall 13 x 66 x 99 feet
Harold Mendez
Constellation, 2023
pigment, tint, indigo, carpenter's rulers, brass, metal, and magnets on Dibond, 104 x 154 in.
Harold Mendez
Whatsayer, 2023
mixed media, collage, charcoal, conté, frottage, archval print, dried cacti and ceiba tree flowers, tea leaves, cotton, aluminum, pigment, goat skin, thread, oxidized copper on paper, lacquer frame, 46 x 31 1/2 x 3 in.
Harold Mendez
The years now (detail), 2020
fiberglas, spray enamel, carnation petals (continuously replenished), dimensions variable
Harold Mendez
Mask, 2019
archival pigment print, oil stick, graphite, mica, and collage on paper, 26 1/2 x 23 in.
Michael Meyers
Ballybaba Waterwheel, 2005
plywood, bicycle wheel, pump, water, 96 x 240 x 240 in.
Robert Millar
Advanced Water Treatment Plant, 1997
computer model of conceptual plan
Advanced water treatment plant (AWTP), San Diego; Collaboration with Tom Buresh and Steve Estrada
Robert Millar
Advanced Water Treatment Plant, 1997
computer model of conceptual plan
Advanced water treatment plant (AWTP), San Diego; Collaboration with Tom Buresh and Steve Estrada
Anthony Mitri
9 Benches, Luxembourg Gardens, Paris, France, 2003
charcoal on paper, 22 x 30 inches
Susanne Muel
Footsteps, 1990
installation with electric light and audio, 35 x 35 x 76 inches
Ranu Mukherjee
Crowded Dreams, 2019
UV inkjet print, silk, cotton, yarn and pigment on linen, 66 x 96 in.
Ranu Mukherjee
A Bright Stage, 2018
wall paint, linen, silk, pigment, UV inkjet print, 9 channel digital animation, 4813 square feet
Ranu Mukherjee
A Bright Stage (detail), 2018
wall paint, linen, silk, pigment, UV inkjet print, 9 channel digital animation, approx. 6 x 10 feet
Ramekon O'Arwisters
Cheesecake #1, 2019
textiles, ceramics from CSULB ceramic program, 14 x 14 x 17 in.
Ramekon O'Arwisters
Cheesecake #2, 2019
textiles, ceramics from CSULB ceramic program, 19 x 17 x 12 in.
Ramekon O'Arwisters
Cheesecake #3, 2019
textiles, ceramics from CSULB ceramic program, 15 x 12 x 8 in.
Ramekon O'Arwisters
Cheesecake #5, 2019
textiles, ceramics from CSULB ceramic program, 12 x 12 x 13 in.
Barney O'Brien
Awakening, 2008
acrylic collage paper, 22 x 32 x 6 in.
two sided, only one shown
Barney O'Brien
Beyondness, 2008
acrylic collage paper, 22 x 32 x 6 in.
two sided, only one shown
Minoru Ohira
Fission, 2005
burning cut and snapped white oak on wood form, 24 x 26 x 75 in.
Deborah Oropallo
Blizzard, 2004
acrylic, pigment print on canvas, 89 x 63 inches
edition of 3
Deborah Oropallo
Fallen, 2004
acrylic, pigment print on canvas, 66 x 66 inches
edition of 3
Mamiko Otsubo
1/2 LB. DOUBLE, 2013
glass, aluminum, rubber, granite, stainless steel, steel, 18 x 26 x 4 3/4 in.
Francesca Pastine
EROSION, 2009
cut 10 ArtForum magazines, 10 1/2 x 10 1/2 x 5 inches
ArtForum Excavation Series
Francesca Pastine
ARTFORUM 7, 2008
cut ArtForum magazine, 10 1/2 x 10 1/2 inches
ArtForum Excavation Series
Alessandro Pessoli
Burned Angel, 2019
glazed Majolica (sculpture) oil and spray paint on cardboard on wooden base (pedestal), 45 x 14 x 16 in.
Alessandro Pessoli
The Woodstock's Boy (back), 2019
terracotta, wire, glitter and spray-painted paper flowers, 120 x 45 x 40 in.
Alessandro Pessoli
The Woodstock's Boy (front), 2019
terracotta, wire, glitter and spray-painted paper flowers, 120 x 45 x 40 in.
Jeff Price
Untitled Red Sketchbook, 2006 - 2007
two children's composition books, drawings, digital prints, photos, notes, mixed media, 10 x 8 x 3/4 inches
Jeff Price
Lubber, 1999
fiberglass, cardboard, steel base, wheels, rope, 102 x 66 x 63 inches
Brian Reynolds
Piazza del Palazzo Dipinto con Figaro il Gato all'Ombra, 2014-2015
oil on canvas panel, 23 3/5 x 15 3/4 in.
Brian Reynolds
Via Del Fosso/Il Sorgere del Tempaccio, 2013-14
oil on canvas panel, 19 3/4 x 23 11/16 in.
Brian Reynolds
Easter Comes to the Grandview Avenue Hill, 2013
graphite on paper, 24 x 19 in.
Brian Reynolds
The Rise of the Blimp/Condemned Building Series, 2011
oil on canvas panel, 18 x 36 in.
David Schafer
Binary Complex, 2017
fabricated and powder coated steel, brass, plastic, hardware, 48 x 24 x 20 in.
David Schafer
Always the Sun, 2016
fabricated and powder coated steel, aluminum, plastic, hardware, 94 x 84 x 54 in.
Christian Schiess
Flora Paraplegia #7, 2017
welded metal, podocarpus wood, acrylic plastic, paint, stainless steel hardware, casater wheels, and neon, 54 x 20 x 16 in.
Christian Schiess
Flora Paraplegia #6, 2016
welded metal, apple wood, acrylic plastic, paint, stainless steel hardware, casater wheels, and neon, 50 x 28 x 23 in.
Christian Schiess
Flora Paraplegia #6, 2016
welded metal, apple wood, acrylic plastic, paint, stainless steel hardware, casater wheels, and neon, 50 x 28 x 23 in.
Christian Schiess
Flora Paraplegia #4, 2015
welded metal, plum wood, acrylic plastic, paint, stainless steel hardware, casater wheels, and neon, 45 x 23 x 23 in.
L. Aili Schmeltz
God's Eye, 2008
mylar, rope, misc. hardware, variable dimension installation
Carolee Schneemann
Vulva's Morphia (detail), 1995
36 framed images on slats with text, floor fans, 72 x 96 x 36 in.
Manjari Sharma
Untitled, Loss and Resurrection, 2022
Archival Pigment Print, Photograph, 16 x 20 in.
Manjari Sharma
Untitled, Loss and Resurrection, 2019
Archival Pigment Print, Photograph, 16 x 20 in.
Gwen Stone
Futami (Second Look), 1986
handmade and Japanese papers, thread, ink, 22 x 30 inches
Annie Stromquist
Forest (from Shoe Trees: Mistaken Identity), 1996
oil transfer, 9 x 14 inches
Hadi Tabatabai
For Agnes, 2006
wood, thread, and acrylic paint on plywood, 14 1/4 x 11 7/8 x 1 inches
side detail
Hadi Tabatabai
Floor Piece No. 3, 2004
wood and thread on plywood, 5 1/2 x 5 1/2 x 5 1/2 inches
side view
Kana Tanaka
Illusion, 2007
glass and light, dimensions variable
stage set installation for dance performance
Kana Tanaka
of Capturing a Moment, 2005
glass and stainless steel, 480 x 288 x 432 in.
Solano County Government Center in Fairfield, CA Public Art commissioned by Solano County
Kana Tanaka
Visionary Storage II, 1999
water filled blown glass with steel sand
site specific installation
Holly Tempo
Cold Front: Storm Warning in the 'Hood, 2012
acrylic on unstretched linen, 70 x 69 in.
Larry Thomas
Grass Mountain, 2011-12
pencil, pen and ink, acrylic wash on paper, 19 x 19 in.
Larry Thomas
Grass Mountain, 2011-12
pencil, pen and ink, acrylic wash on paper, 19 x 19 in.
Roy Thurston
2007-01, 2007
acrylic polyurethane on milled copper, 12 x 2 3/4 x 1 1/2 inches
Nina Tichava
Study For a Wedding-Sand to Glass 1, 2005
oil and mixed media on panel, 12 x 16 inches
Eric Tillinghast
Water Series #67, 2005
water, steel, 2 x 60 x 60 inches
detail, installation at Salado Creek Canal, Springer, NM
Eric Tillinghast
Water Series #55, 2001
water, rubber, steel, 4 x 129 x 129 inches
Installation for the Museum of Fine Art, Santa Fe
Oscar Tuazon
Fire Building (Burn the Formwork), 2017
concrete, refractory cement, stainless steel, 600 x 600 x 400 cm
Oscar Tuazon
Beyond the realm of speech, 2013
steel, acryl glass, luminescent tube, blinds, drywall, wood, 200 x 305 x 165 cm
Mark Verabioff
Action Pants 4, 2017
Ready-made metal, artist worn jeans, page tear, spray paint, spray polyurethane foam, artist tape, gum, 82 x 63 x 30 in.
Mark Verabioff
Civil Piss War, 2017
Acrylic on canvas over wooden panels, page tears, vinyl, artist tape, spray paint, undercoating, gum, 96 x 60 x 2 in.
Mark Verabioff
Civil Piss War, 2017
Acrylic on canvas over wooden panels, page tears, vinyl, artist tape, spray paint, undercoating, gum, 96 x 60 x 2 in.
Hiroshi Watanabe
Kurmatsu with Cellphone, Suo Sarumawashi, 2015
Toned silver gelatin print, 18 x 18 in.
Hiroshi Watanabe
Carved Bird Dressed with Shell Beads, Tule Lake, California, 2009
Toned silver gelatin print, 10 x 10 in.
Hiroshi Watanabe
Deer carved by Tokushige, Heart Mountain, Wyoming, 2009
Toned silver gelatin print, 10 x 10 in.
Hiroshi Watanabe
Pipe-cleaner Flower Arrangement in Gallon Jug, Tule Lake, California, 2009
Toned silver gelatin print, 10 x 10 in.
Kazuko Watanabe
Embossed Lights: Indication, 2008
multiple color intaglio on paper, 25 x 35 in.
Ann Weber
Personages, Watch Over Me (installation, Lux Art Institute, Encinitas), 2014
found cardboard, staples, polyurethane, from 90 to 105 inches tall
Ann Weber
After Bernini, Charity, 2013
found cardboard, staples, polyurethane, 45 x 11 in.
Ann Weber
Personages, Santa Monica (installation Los Angeles Municipal Art Gallery)
and Seven Moons, 2013
found cardboard, staples, polyurethane, 83 x 52 x 22 inches and 85 x 56 x 54 inches
and
16 x 12 x 9 inches to 46 x 33 x 16 inches
Lorraine Weglarz
Here and There, 2008
grey painted wall, black sand, monofilament, 108 x 180 x 144 inches
Lorraine Weglarz
Pillows for Words, 2000
typewriter ribbon, air packaging, 144 x 132 x 192 inches
Ben White
Noah Sends Forth a Chendytes Lawi After Coming to Rest Atop the Library Tower, 2010
acrylic on panel, 30 x 40 in.
Ben White
A Startled Hamilton Throws Away his Fire at a Suddenly Appearing Crab Nebula, 2009
acrylic on panel, 30 x 40 in.
Millie Wilson
White Girl (Detail), 1995
synthetic hair, satin, feathers, fox tail, pottery, etc.
Jean Claude Wouters
Gogh, portrait d'un poete belge Bock,1888, 2011
mixed media, gesso on barythe photographic paper, 30 x 40 in.
Jean Claude Wouters
Rubens- Woman and Man, 2010
mixed media, gesso on barythe photographic paper, 47 x 63 in.
Isabel Yellin
Install shot of Pillow Talk at Skibum MacArthur Los Angeles, 2016
leatherette, foam, and acrylic, size varies from 45-33 inches in height, 20 inch diameter, and 12-18 inch width
Isabel Yellin
Install shot of "Hug Me, Hold Me, Don't Let Go" and "Skin + Bone 1", 2015
leatherette, rigilene, thread, acrylic, 23 x 10 1/2 feet and 31 x 35 inches
Nancy Youdelman
Wooden Valentine, 2005
mixed media wall sculpture, 17 1/2 x 10 1/2 x 2 1/2 in.
Phillip Zach
Untitled (s), 2016
powder coated steel, mdf, pigmented urethane, polystyrol, nylon, 33 x 26 x 2 1/2 in.
Phillip Zach
Untitled (swipe), 2016
painted steel, mdf, pigmented urethane, fabric, wood, 65 x 60 x 26 in.
Phillip Zach
Untitled Properties, 2016
powder coated expanded steel sheet, urethane foam, sand, pigments, 48 x 54 x 1 1/2 in.
Phillip Zach
Haphazard Hibernal Fog, 2013
urethane on canvas, UV direct print, 34 x 32 x 2 1/2 in.