Stuart Arends
Wedge 1 (top view), 2018
oil and clear lacquer on solid aluminum, 4 x 12 x 1 3/4 in.
Nina Elder
Kennecott Corporation: Bingham Canyon Mine, Utah, 2015
graphite and rock powder on paper, 48 x 48 in.
Nina Elder
Kennecott Corporation: Escondida Mine, Chile, 2015
graphite and rock powder on paper, 48 x 48 in.
Nina Elder
Kennecott Corporation: Yanacocha Mine, Peru, 2015
graphite and rock powder on paper, 48 x 48 in.
Nina Elder
The Gadget (Trinity Test Site, July 15, 1945), 2011
graphite and radoactive charcoal on paper, 22 x 30 in.
Christy Georg
History Lesson, 2015
steel, machine parts, wood, velvet, vintage roller skates, vinyl record "The Best of the Last 50 Years", 52 x 48 x 44 in.
Christy Georg
Seasick of Me, 2009
graphite and carbon on vellum, glass, stainless steel, oak and rope lights, 32 x 52 x 2 in.
Christy Georg
Six Frigates, 2008-2009
wood, cardboard, leather, ink and pencil on plexi, tarred nylon, and copper, 93 x 18 x 32 in.
Cameron Gregg
365 Ways to Bear a Burden #3, 1990 - 1991
moss rocks, sticks, adobe, approx: 90 x 64 x 64 inches
Cameron Gregg
365 Ways to Bear a Burden #3, 1990 - 1991
moss rocks, sticks, adobe, approx: 82 x 59 x 53 inches
Cameron Gregg
365 Ways to Bear a Burden, 1989 - 1990
adobe bricks, mortar, sticks, each approx: 95 x 62 x 62 inches
exterior overview
Timothy Horn
Bitter Suite (Installation View), 2008
crystallized rock sugar, shellac, ply-wood, steel, variable
Timothy Horn
Discomedusae (detail), 2004
transparent polyurethane rubber, copper tubing, light fixtures, 60 x 84 inches
Ted Larsen
Flange, 2007
reclaimed steel, sheered steel, enamel, silicone, volcanized rubber, Baltic birch, 5 x 12 x 5 in.
Ted Larsen
Woody, 2007
reclaimed steel, sheered steel, enamel, silicone, volcanized rubber, Baltic birch, 7 x 5 x 5 in.
Sabre Moore
Gourds: They Floated Here From Africa, 2016
oil on gessoed paper, wood, beads, wire, 84 x 51 1/4 in.
Sabre Moore
H/ EAR// HER/E, Plant series, 2014
oil on gessoed paper & wood, metal, beads, wire, 47 x 85 in.
Sabre Moore
Bedtime Story, 2012
wood clad with metal strips, oil on gessoed paper and wood, poem by Santana Shorty, 33 x 24 x 36 in.
Sabre Moore
Bedtime Story (Detail), 2012
wood clad with metal strips, oil on gessoed paper and wood, poem by Santana Shorty, 33 x 24 x 36 in.
Jiří J. Příhoda
Rig (mining tower), 2016-22
plywood, spandex-polyester fabric, white paint, diameter: 15 feet, height 30 feet
Jiří J. Příhoda
Helix, 2015-16
plywood, non-woven textile material, 10 feet x 10 feet x 16 feet
Jiří J. Příhoda
NAVE, 2014
cotton canvas, wood, artificial light, music composed by Brian Eno, 16 feet x 18 feet x 80 feet
Terri Rolland
Pressure-Temperature-Time Path, 2018
acrylic and clay paint on canvas, 34 x 36 in.
Christine Taylor Patten
imagin to the seventh power, 2015
crowquill pen and ink on paper, 80 x 294 in.
Christine Taylor Patten
Installation "micro/macro 1001 drawings" at 14th Istanbul Biennial, 2015
paper in plexi frames, 1,000 3 x 3 inch units
Christine Taylor Patten
imagine, to the fourth power, 2007
crowquill pen and ink on paper, 22 x 103 in.
Nina Tichava
Bridesmaid, Promise of Spring, 2006
oil, charcoal, ink, pencil, brass and copper on panel, 26 x 30 in.
Nina Tichava
Seasons, Snow and Dust, 2006
oil, ink, charcoal and pencill on panel, 26 x 30 in.
Will Wilson
Auto Immune Response: Three Generations at a Confluence, 2015
archival pigment print, 44 x 85 in.
Will Wilson
Auto Immune Response: On the Consideration of Invasive Species, Downriver From Los Alamos, NM, 2013
Archival Duratrans Print in LED lightbox, from the original wet plate/digitl hybrid capture, 44 x 77 in.